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How Many Mistakes Are Allowed in Piano Transcribing?

Mistakes Are Allowed in Piano Transcribing

Piano transcription is one of the most challenging musical activities. It requires a high level of ear training and the ability to decipher the complex musical patterns heard in a recording. Even for experienced musicians, the task can be daunting and time-consuming. It is possible to achieve very accurate transcriptions but it requires a lot of practice and patience.

The goal of piano transcribing is to get as close as possible to the original performance. In many cases this means a note for note transcription, although chord symbols can also be used. Transcribing can be done on any keyboard instrument but it is easiest to do it with a piano. An electronic keyboard with a MIDI interface is also very useful. The best method is to listen carefully to the musical passage and then form a picture in your mind of what is being played. This may take a long time but the results are worth it. Once you have a clear idea of what the musical passage is then you can input the notes quickly and accurately.

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Using an app or software program which slows down the music makes it easier to hear individual parts and to spot errors. A program which allows you to play back the transcription and compare it with the recording is also very helpful. This will let you hear if there is an error in the chords or if you have missed a note or two.

How Many Mistakes Are Allowed in Piano Transcribing?

If you do make an error then you will need to repeat the process of listening to the recording, forming a picture in your mind of what is happening and then entering the notes on the computer. This can be tedious but it is important to get as close to the original as possible. If you can’t do this then it will be very difficult to perform the piece.

It is also important to remember that piano transcription is partly hearing and partly deduction. You have to consider what is actually being played and if it is physically possible to play on the instrument. Sometimes what you think you are hearing is not what was actually played and that could be due to an overtone in the recording or some other auditory artifact.

One of the most common mistakes is to overdo a part of the piece. This can be a part of the accompaniment or a section of the melody. Overdoing a part will make it impossible to play the whole piece and can cause the fingers to become tired. It is also important to check the fingerings to see if they suit your hand. Another mistake is to work too slowly. This can lead to a lack of motivation and also make it hard to keep up with the tempo of the music. Work in small chunks, maybe just a few bars or beats at a time. This will help you to stay focused and avoid getting frustrated.

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